About me

The process entitled Impossibility Exercises is a creative work lasting more than ten years. The works can be connected thematically, but they are realized in different problem assumptions. Works with plastic demands, installations, site-specific spatial formations and reimagined visual solutions are all of my interest. I outline connections and new ones arise along these lines. I see my built “situations” as cohesions. Its units can also stand their ground as independent elements, and are connected to each other in terms of content and/or logic. They can be taken both as independent works and as a large thematic unit. Theoretical and practical arenas appear together. The combined presence of the conceptual background and the visual experience created as a result of the creative process is important. In this way, my minimalist “traces” will be concentrations of accumulated layers of meaning, questioning the borders of genres and arbitrarily mixing their specificities. I work systematically and according to a plan. The selected elements and their cultural history are just as important to me as size or quantity.

The often minimalist-absurd spaces I create are works with plastic requirements. My castings dissecting basic sculptural issues and their spatial problems allow the viewer to enter an exhibition situation in which the accumulated elements and meanings in new constellations, together with the earlier starting points that created them, can generate new meanings and create an opportunity to open a new theoretical plane. Often, the accumulation of meaning and rethinking is not the goal.